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Roddy Piper as George Nada

Keith David as Frank Armitage

Meg Foster as Holly Thompson

George 'Buck' Flower as Drifter

Peter Jason as Gilbert

John Lawrence as Bearded Man

Susan Barnes as Brown-Haired Woman

Sy Richardson as Black Revolutionary

Susan Blanchard as Ingenue

Norman Alden as Construction Foreman

Raymond St. Jacques as Street Preacher

The idea for They Live came from a short story called "Eight O'Clock in the Morning" by Ray Nelson, originally published in The Magazine of Fantasy and Science Fiction in the 1960s, involving an alien invasion in the tradition of Invasion of the Body Snatchers.

Nelson, along with artist Bill Wray, adapted into a story called "Nada" published in the Alien Encounters comic book anthology (cover date: April 1986). John Carpenter describes Nelson's story as "...a D.O.A. type of story, in which a man is put in a trance by a stage hypnotist.

When he awakens, he realizes that the entire human race has been hypnotized, and that alien creatures are controlling humanity. He has only until eight o'clock in the morning to solve the problem."

Carpenter acquired the film rights to both the comic book and short story and wrote the screenplay using Nelson's story as a basis for the film's structure. The more political elements of the film are derived from Carpenter's growing distaste with the ever-increasing commercialization of 1980s popular culture and politics.

He remarked, "I began watching TV again. I quickly realized that everything we see is designed to sell us something... It's all about wanting us to buy something. The only thing they want to do is take our money."

To this end, Carpenter thought of sunglasses as being the tool to seeing the truth, which "is seen in black and white. It's as if the aliens have colorized us. That means, of course, that Ted Turner is really a monster from outer space." Turner had received some bad press in the 1980s for colorizing classic black-and-white movies.

The director commented on the alien threat in an interview, "They want to own all our businesses. A Universal executive asked me, 'Where's the threat in that? We all sell out every day.' I ended up using that line in the film."

The aliens were deliberately made to look like ghouls according to Carpenter, who said: "The creatures are corrupting us, so they, themselves, are corruptions of human beings."

Because the screenplay was the product of so many sources: a short story, a comic book, and input from cast and crew, Carpenter decided to use the pseudonym "Frank Armitage", an allusion to one of the filmmaker's favorite writers, H. P. Lovecraft (Henry Armitage is a character in Lovecraft's The Dunwich Horror).

Carpenter has always felt a close kinship with Lovecraft's worldview and according to the director, "Lovecraft wrote about the hidden world, the 'world underneath'. His stories were about gods who are repressed, who were once on Earth and are now coming back. The world underneath has a great deal to do with They Live.

After a budget of approximately three million dollars was raised, Carpenter began casting the film. For the crucial role of Nada, the filmmaker cast professional wrestler Roddy Piper, whom he met at WrestleMania III earlier in 1987.

For Carpenter it was an easy choice: "Unlike most Hollywood actors, Roddy has life written all over him." Carpenter was impressed with Keith David's performance in The Thing and needed someone "who wouldn't be a traditional sidekick, but could hold his own." To this end, Carpenter wrote the role of Frank specifically for the actor.

They Live was shot in eight weeks during March and April 1988, principally on location in downtown L.A. with a budget only slightly greater than $3,000,000. One of the highlights of the film is a five-and-half minute alley fight between David and Piper over a pair of the special sunglasses.

Carpenter recalls that the fight took three weeks to rehearse: "It was an incredibly brutal and funny fight, along the lines of the slugfest between John Wayne and Victor McLaglen in The Quiet Man."

Rotten Tomatoes gave the film a rating of 88%. Metacritic, an aggregator of film critics' ratings and reviews, gave the film a rating average of 50 out of 100.

In his review for the Chicago Reader, Jonathan Rosenbaum wrote, "Carpenter's wit and storytelling craft make this fun and watchable, although the script takes a number of unfortunate shortcuts, and the possibilities inherent in the movie's central conceit are explored only cursorily."

Jay Carr, writing for The Boston Globe, said "Once Carpenter delivers his throwback-to-the-'50s visuals, complete with plump little B-movie flying saucers, and makes his point that the rich are fascist fiends, They Live starts running low on imagination and inventiveness", but felt that "as sci-fi horror comedy, They Live, with its wake-up call to the world, is in a class with Terminator and RoboCop, even though its hero doesn't sport bionic biceps".

Allmovie contributor Paul Brenner gave the film three and a half out of five stars. In her review for The New York Times, Janet Maslin wrote, "Since Mr. Carpenter seems to be trying to make a real point here, the flatness of They Live is doubly disappointing.

So is its crazy inconsistency, since the film stops trying to abide even by its own game plan after a while." Richard Harrington wrote in The Washington Post, "it's just John Carpenter as usual, trying to dig deep with a toy shovel.

The plot for They Live is full of black holes, the acting is wretched, the effects are second-rate. In fact, the whole thing is so preposterous it makes V look like Masterpiece Theatre".

Rick Groen, in The Globe and Mail, wrote, "the movie never gets beyond the pop Orwell premise. The social commentary wipes clean with a dry towelette - it's not intrusive and not pedantic, just lighter-than-air."

The 2013 documentary film The Pervert's Guide to Ideology presented by Slovene philosopher and psychoanalyst Slavoj �i�ek starts with an analysis of the film They Live: �i�ek uses the main trope of the film, the wearing of the special sun-glasses reveals the truth of that which is perceived, to explain his definition of ideology. �i�ek states:

"They Live is definitely one of the forgotten masterpieces of the Hollywood Left. ... The sunglasses function like a critique of ideology. They allow you to see the real message beneath all the propaganda, glitz, posters and so on. ... When you put the sunglasses on you see the dictatorship in democracy, the invisible order which sustains your apparent freedom."

The film opened on November 4, 1988 and debuted at #1 at the North American box office grossing $4,827,000 during its opening weekend. However, the film's audience quickly dwindled and it spent only two weeks in the top ten. The film had a total domestic gross of $13,008,928.

Carpenter is on record as attributing the film's initial commercial failure to the hypothesis that "those who go to the movies in vast numbers these days don't want to be enlightened".

The film's original release date, advertised in promotional material as October 21, 1988, was pushed back two weeks to avoid direct competition with Halloween 4: The Return of Michael Myers, which was a success at the box office.

The film was ranked #18 on Entertainment Weekly magazine's "The Cult 25: The Essential Left-Field Movie Hits Since '83" list. Rotten Tomatoes ranked the fight scene between Roddy Piper's character, John Nada, and Keith David's character, Frank Armitage, seventh on their list of the "The 20 Greatest Fights Scenes Ever".

Jonathan Lethem called They Live one of his "favorite movies of the eighties, hands down," and wrote a book-length homage to it for the Soft Skull Press Deep Focus series.

Shepard Fairey also credits the movie as a major source of inspiration, sharing a similar logo to his "OBEY" campaign. "They Live was ... the basis for my use of the word 'obey,'" Fairey said. "The movie has a very strong message about the power of commercialism and the way that people are manipulated by advertising."


They Live - 1988 | Plot & Screenshots

George Nada is a homeless laborer who arrives in Los Angeles looking for work. He listens for some seconds to some rambling street preacher, but he dismisses his message and leaves when he notices that the police are coming. He eventually finds work on an L.A. construction site. One of the workers, Frank Armitage, takes him to a local shantytown where most of the workers live.

After eating at the soup kitchen and spending the night, he notices odd behavior at the small church across the street. Investigating, Nada discovers that the church's soup kitchen is a front: inside, the loud "choir practice" is a recording, scientific machinery fills a back room, and cardboard boxes are stacked everywhere, including some in a secret compartment that he stumbles across.

The leader of the group is aware that Nada is onto them. The Street Preacher is also there. Now Nada notices that he's blind. In fact, although the Street Preacher discovers Nada gossiping around, when he notices that Nada has got rough hands because of rough handiwork, he lets Nada go free. That night, the police arrive and surround the church, forcing the inhabitants to flee.

The police then turn on the shantytown, destroying it with bulldozers and beating the blind minister of the church to death. Nada, Frank, and most of the inhabitants flee. Nada returns to the site the next day and investigates the church again, which has been emptied. He takes one of the boxes from the secret compartment and opens it in an alleyway.

Expecting to find something valuable, he is a little disappointed to find it full of cheap-looking sunglasses. He keeps one pair and hides the rest in a garbage can. When Nada later dons the glasses for the first time as he walks down a sidewalk on Rodeo Drive, he discovers that the world appears in shades of grey, with significant differences.

He notices that a billboard now simply displays the word "Obey"; without them it advertises the Control Data Corporation which is "creating a transparent computing environment."

Another billboard (normally displaying "Come to the Caribbean" written above a lovely woman lying on a beach) now displays the text "Marry and Reproduce." He also sees that paper money bears the words "This is your God."

All printed matter around him contains subliminal advertising from "Obey", "Consume", "Sleep", "No Independent Thought", and "Do Not Question Authority". While he stares disbelievingly at a magazine containing the subliminal messages, a man walks up. When Frank looks at him he sees a strange humanoid with bulging eyes and mottled skin.

When Nada removes the glasses, the man looks like a white, male human. Nada discovers that many people are actually aliens. Most of the aliens are wearing expensive clothing resembling wealthy-looking businessmen and women.

When Nada enters a local grocery store and insults one of the aliens, the elderly lady speaks through her wristwatch, muttering about his location and the fact

Nada runs out of the store and into an alley where two alien policemen suddenly arrive. The two alien policemen ask where Nada got the sunglasses and he refuses to answer them. Aware that they intend to kill him, Nada escapes, killing both alien policemen. He steals a police shotgun. While evading the police, he accidentally stumbles into a local bank filled with aliens.

Realizing that the jig is up, he proclaims, "I have come here to chew bubblegum and kick ass... and I'm all out of bubblegum." A shooting spree ensues as Nada opens fire, killing all the aliens that he sees. After killing many of them, one of the aliens sees him and disappears after twisting a dial on his wristwatch.

Fleeing the bank and into a nearby parking garage, he forces a woman at gunpoint to take him to her house in the Hollywood Hills. At the woman's house, Nada takes off the glasses to rest. He remarks: "wearin' these glasses makes you high, but, oh, you come down hard." Nada tries to convince the woman, whose name is Holly Thompson, about what is happening, but she remains skeptic.

When Nada lets his guard down after Holly tells him that she's an executive at a local TV station, she tricks him into turning on the TV set where she pushes him through her window, nearly killing him. He leaves behind his pair of sunglasses, but she doesn't put them on and instead calls the police. The next morning, Nada returns to the construction site to talk over with Frank what he discovered.

Seeing Nada as a wanted man for the shooting spree, Frank is initially uninterested in his story. Now a fugitive with no one to turn to, Nada returns to the alley where he disposed of the rest of the sunglasses. Nada recovers the box by breaking into a garbage truck that carries it away. Just then, Frank shows up with money to give to Nada to make him leave town.

Seeing that Frank is human, Nada tries to persuade him to put on a pair of the sunglasses, but Frank refuses. Then, the two of them engage in a long and violent hand-to-hand fight as Nada attempts to convince and then force Frank to put on the sunglasses. When Frank finally puts on the glasses, he sees the aliens around him as well. Nada states: "Partner, life's a bitch... and this one's in heat!"

Frank joins Nada as they check into a local fleabag hotel and get in contact with the group from the church. They learn that a meeting is being held at a local community center later that evening. The community group listens to a seminar in the background introducing radical ideas.

For example, the aliens are blamed for increased carbon dioxide and methane emissions "They are turning our atmosphere into their atmosphere" and quickly using up the planet's resources. Holly returns, claiming to now believe Nada, and delivers some information to the rebels about a possible location to where the aliens are broadcasting the subliminal messages.

At the meeting, they learn that the aliens' primary method of control is a signal being sent out on television, which is why the general public cannot see the aliens for what they are. An unknown but brilliant inventor has created a lens called the Hofmann lens. The lens shows the world as it really is. The sunglasses, which are also available as contact lenses, interfere with the aliens' hypnotic signal.

Nada then has a talk with Holly who tells him that after their encounter when he left behind his sunglasses, she put them on and hid them which is how she now believes him. Suddenly, Nada and Holly's conversation and the meeting place is raided by the police, who shoot to kill.

Some of the resistance members flee outside while the police (a combination of both human and aliens) are gunning people down indiscriminately. Nada and Frank escape into an alley behind the building and get away with the help of one of the wristwatch devices that teleports them to a mysterious underground facility.

They find themselves in a network of underground passages under the city that link hidden parts of the alien society including a port for space travel. Through the passages they find the aliens are throwing a party for their human collaborators. Nada and Frank meet one of the homeless drifters whom they previously met in the workers shantytown, whom is one of the many human collaborators with the aliens.

Thinking that they have been recruited as he has, the Drifter shows them around the underground facility which leads them to the studio offices of a local TV station. The Drifter leads Nada and Frank to the basement of a local TV station, Cable 54, and the source of the aliens' signal.

Nada and Frank pull out their weapons and kill all the alien guards, intending to shut down the hidden signal the aliens are using. But the Drifter gets away by teleporting himself and sounds the alarm. Arming themselves with assault rifles off the dead guards, Nada and Frank decide to get to the roof of the building to shut down the signal to make the world aware of the aliens among them.

But aware that they will not survive, even if they succeed in shutting down the signal, Nada and Frank know that this is a suicide mission. Nada and Frank engage in a gun battle with the guards in the studio hallways and offices they are at. Holly, who works at the station, is found by Frank and Nada and she leads them up to the roof of the building where the dish is broadcasting.

Making it to a stairway, Nada runs up to the roof expecting that Holly and Frank are behind him. Suddenly, Holly pulls out a gun, presses it against Frank's temple, and kills Frank. Through the special contact lenses that he is wearing, Nada notices the broadcasting antenna. Holly gets to the roof, then takes aim at Nada.

Nada finally realizes that Holly is in league with the aliens (and possibly the traitor who led the police to the rebels hiding spot). Then, a police helicopter appears where the aliens aboard order Nada to step away from the broadcasting antenna. Aware that he is a dead man no matter what, Nada uses a hidden sleeve pistol and kills Holly. Nada then turns his attention back to the broadcasting antenna.

Nada is shot and fatally wounded by alien police marksmen in the hovering helicopter, but manages to get one final shot from his small pistol and destroys the broadcasting antenna in the process.

As a last dying defiant act, Nada gives the aliens in the hovering helicopter "the finger" as he lies dying on the roof of the building next to Holly's dead body, and the ruins of the broadcasting dish.

With the signal now destroyed, people around L.A. and the rest of the country are surprised to discover aliens in their midst... seeing them on TV, chatting with them at the bar, meeting with them at the office... and even having sex with them.

Alien Invasion Main

The Arrival


The Faculty

The Invasion

Battle: Los Angeles


The Host

Edge of Tomorrow

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