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About The Abyss

Written, Directed by: James Cameron
Produced by: Gale Anne Hurd, Van Ling
Music by: Alan Silvestri
Cinematography: Mikael Salomon
Editing by: Conrad Buff
Joel Goodman
Distributed by: 20th Century Fox
Lightstorm Entertainment
Release date(s): August 9, 1989
Running time: 146 min
(171 min) (special edition)
Country: United States
Language: English
Budget: $43,000,000
Gross revenue: $90,000,098


Production

The idea for the The Abyss came to James Cameron when he attended a science lecture about deep sea diving in high school. He subsequently wrote a short story that focused on a group of scientists in a laboratory at the bottom of the ocean. The basic idea did not change but many of the details evolved over the years.


Once Cameron arrived in Hollywood, he quickly realized that a group of scientists was not that commercial and changed it to a group of blue collar workers. While making Aliens, Cameron and producer Gale Anne Hurd decided that The Abyss would be their next film.


He started writing the script, basing the character of Lindsey on Hurd and finishing it by the end of 1987. Cameron and Hurd were married before The Abyss, separated during pre-production, and divorced in February 1989, two months after principal photography.


Pre-production

The cast and crew trained for underwater diving for one week in the Cayman Islands. This was necessary because 40% of all live-action principal photography took place underwater.


Furthermore, Cameron's production company had to design and build experimental equipment and develop a state-of-the-art communications system that allowed the director to talk underwater to the actors and dialogue to be recorded directly onto tape for the first time.


Cameron had originally planned to shoot on location in the Bahamas where the story was set but quickly realized that he needed to have a completely controlled environment because of the stunts and special visual effects involved.


The film was shot at the Cherokee Nuclear Power Station outside of Gaffney, South Carolina. It had been abandoned after a local power company spent $700 million in construction. The underwater sequences were filmed in two specially constructed tanks. The first one held 7.5 million gallons of water, was 55 feet deep and 209 feet across.


At the time, it was the largest fresh-water filtered tank in the world. Additional scenes where shot in the second tank which held 2.5 million gallons of water.


The two working craft, Flatbed and Cab One, were specially manufactured for the film by Can-Dive Services Ltd., a Canadian commercial diving company that specialized in "saturation" diving systems and underwater technology. Two million dollars was spent on set construction.


References:
cinepad.com
erasingclouds.com
filmtracks.com
imdb.com
jeangiraudmoebius.fr
moviepulse.net
steveburg.com
wikipedia.org



THE ABYSS - 1989 | Detailed Synopsis and Screenshots


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The Controle Module door bangs open. Hippy jumps. Bud strides in. Not calm. He slams his fist down on Hippy's music box to shut it off and activates a com line microphone. He orders all divers to drop what they're doing and out of the pool. A siren, blasting through the water from a big hydrophone loudspeaker.


They react to Bud's recall, looking toward him up in the control module. One Night makes a grab for Sonny's butt with the manipulator claw, which he narrowly avoids. She bursts out laughing.


Flatbed moves underneath the rig's Sub-Bay, a few feet above the seafloor, with Sonny riding on its top deck. It passes under a lit opening and rises toward the surface of the water in the chamber above. Little Geek follows like an obedient dog.


The opening, or sub-bay, is called the moonpool, and Deepcore's submersibles are launched through it. From inside the sub-bay it looks just like a swimming pool. Flatbed surfaces, nearly filling it. The chamber also contains Cab One, a similar submersible. Jammer, Perry, and some of the other drill-room boys are helping the divers out of the water.


The water at this depth is only about six degrees above freezing, and these folks are cold and prune- fingered. Bud continues his announcement over the com line for everyone to assemble. Finler pulls off his demand-helmet, revealing a round, boyish face, he wants to know what the hell is going on.


One Night jumps 'ashore' from Flatbed's broad deck and joins them. Catfish is unzipping his bulky dry-suit. Bud enters, approaching the group and informs them they've just been told to shut down the hole and prepare to move the rig. They've received an invitation to cooperate in a matter of national security and there will be a briefing in ten minutes.


Inside the Command Module, the whole rig crew is somehow jammed into the room for the video briefing. DeMarco is on the main monitor, with his aides and Kirkhill visible. DeMarco explains to the crew that at 09:22 local time, an American nuclear submarine, the USS Montana, with 156 men aboard, went down about 22 miles from their rig. There has been no contact with the sub since then. The cause of the incident is not known.


The reactions of the various drill crew members are of shocked, hushed, curious. DeMarco continues that the Benthic company has authorized the Navy's use of the facility for a rescue operation. The code name is Operation Salvor. They know where it is. But submarine is in 2000 feet of water and they can't reach her. They need divers to enter the sub and search for survivors, if any.


Bud's scowl has been deepening since DeMarco started to talk. Bud asks why they don't use their own military resources. DeMarco explains that by the time they get their rescue submersible there, the storm's going to be right on them. But Deepcore crew can get their rig in under the storm and be on-site in fifteen hours, and that makes them the best option right now.


Hippy, born suspicious and recently graduated to paranoid, leans forward and questions why should they risk their butts for something like this. Kirkhill moves into the video camera and announces he has been authorized to offer them all special bonuses equivalent to three times normal dive pay. The crew are elated. Catfish grabs Hippy's rat and mocks eating the rodent in joking fashion to imply he would do anything for triple pay.


However, Bud interrupts the celebration, telling DeMarco that his people are not qualified for this... they're oil workers. Bud's team are shouting simultaneously in protest, he snaps back at them to shut up. On the video, DeMarco points to Coffey behind him.


DeMarco explains that Lieutenant Coffey will transfer down to them with a SEAL team and supervise the operation. Bud warns him if things get dicey, he's pulling the plug. Kirkhill intervenes with a corporate 'we're all on the same wavelength,' and instructs Bud to get the wellhead uncoupled. Bud turns his back to the video and addresses his team to get ready to move.



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