The Haunting in Connecticut - 2009
As the movie opens over the sound of a piano playing we begin to see old black and white photographs, as the photos continue to change you see that the photos are being taken at a funeral home and show family members sitting with the bodies of dead loved ones. From the photos the scene changes to see Sarah Campbell (Virginia Madsen) preparing to be interviewed for a television show. The interviewer asks her why she thinks this happened to her and she says that he's really asking why bad things happen to good people.
That she and her family didn't do anything wrong and didn't deserve what happened to them. We then jump to 1987 and Sarah is driving her son Matt (Kyle Gallner) home from the hospital where he has been undergoing cancer treatments. Sarah is praying out loud for his recovery when Matt wakes up and jokes with her that talking to herself is the first sign of madness. Sarah tells him that she is talking to God and he tells her that threatening the creator may not be the best idea.
They laugh, and then Matt tells her to pull over, as he is about to be sick. Sarah pulls over and sits in the car as Matt vomits by the side of the road. The next morning Sarah is cooking breakfast amidst the chaos of her family. Her husband Peter (Martin Donovan) comes in and remarks that he didn't hear her come in the night before and asks her what time she got in. Sarah tells him that they got home at 4 am and he asks why the trip took them so long and she snaps that she didn't think he would want to know how many times they had to stop for Matt to be sick.
She remarks that it would be a lot easier if they had a place to stay nearer the hospital and he asks how they could possibly afford that but tells her to see if she can find something. Sarah and Matt return to the hospital where Matt has been accepted into a trial of a new treatment. As we see him undergoing the treatment we see Sarah searching the classifieds for a rental house and not having much luck. She is driving down a street when she sees a man hammering a For Rent sign into the front yard of a large house.
She pulls over and tells him she doesn't want to waste his time, but wants to know how much he is asking per month. Mr Sinclair (John B. Lowe) tells her that he will give her the first month for free if she takes the place so he doesn't have to keep trying to pound the sign into the ground. As they walk through the lower level you can hear Sarah remarking on how the place is perfect and spacious and affordable, that she is wondering what the catch is.
The owner tells her that the place has a bit of a history and we see a dark shape moving away from the landing above them. Later Sarah is on the phone with Peter telling him about her search for a house. She tells him that she found a place that seemed perfect but she didn't think it would work out. That night she and Matt are driving home and Matt is in extreme pain, Sarah says that the doctor warned her about this but tries to cheer him up by reminding him that at least he's not nauseous. Matt agrees but then cries out as his body aches become worse.
Listen to him suffer, Sarah turns the car around and heads back. She has called the owner of the house and he has come to let them into the house and is giving them a couple of mattresses to sleep on. Later, she is on the phone with Peter telling him about her command decision to rent the house without telling him because she couldn't bear to force Matt to suffer the long car ride back home. Matt is lying in the living room watching an old black and white movie. He reaches up and switches it off, revealing the reflection of a figure standing behind him.
Later, Matt wakes up and hears strange noises upstairs. He grumbles to himself as he gets up and goes upstairs to the bathroom. He splashes water on his face and then goes back downstairs. He is about to lie back down when he again hears strange sounds. He gets up and follows them to the basement stairs. After trying the lights, he walks down the stairs in the dark into the basement. He looks around and sees that part of the basement is walled off behind a set of glass doors.
He walks closer and seems to examine his reflection as he gets up to the glass his reflection changes to that of a distorted figure. He sits up to find himself back upstairs on the mattress and he writes the experience off as a dream. Sarah calls him into the kitchen and as the two have some sort of bad-tasting beverage for breakfast she tells him that he can have first pick of the rooms before the rest of the family gets there.
Matt then is shown wandering around the upstairs, checking out the different rooms and examining a dumb waiter that goes to the basement. Sarah is in the front room straightening cushions on the window seat when she forces open a cabinet door and finds several framed photographs. These are the photographs that we saw at the beginning of the movie and as Sarah looks through them she becomes horrified as she realizes what they are and she rushes outside and hides them in the garbage.
When she gets back inside she calls upstairs to Matt, asking if he's picked a room yet. She is surprised when he calls back that he has, but his voice is coming from the basement. She walks downstairs to find him standing in the middle of the room and she asks him which one he choose and is surprised when he tells her that he wants the basement since it chose him. He then clarifies that its roomy and cool and has its own bathroom so he won't disturb the family when he is ill.
Sarah then sees the glass doors and asks him what is in there, Matt tells her he doesn't know since the door won't open and they both press their faces to the glass trying to see inside and are startled by the loud arrival of the rest of the family they both laugh and then goes upstairs. Peter has arrived with the other children including Matt's cousins Wendy (Amanda Crew) and Mary (Sophi Knight). The children laugh as they run upstairs to claim their rooms.
Sarah is showing the older cousin, Wendy, to the room she thought Wendy would like as it has a large closet. As they shut the door we can again see the reflection of a figure standing behind them in a mirror mounted on the closet door. Matt is helping Peter move furniture into the house and his bed into the basement. Peter sees the walled off section and as he tries the knob wonders aloud if it was sealed off for storage.
That night as he sleeps, Matt begins to see visions of dead bodies being interred and it seems as if he seeing it from the point of view of a young man. He gets up and walks to the door he reaches for the knob and gasps in pain as it burns his hand. The next morning, Matt is helping Sarah in the kitchen by setting the table. He grabs a stack of plates and places them on the table. He turns to grab the silverware and is taken aback when he sees that the plates are no longer on the table but are back on the shelf.
He asks his mother why she moved the plates and she says she didn't. He turns to grab them off the shelf again and they crash to the floor behind him from off of the table. Sarah rushes over to help him pick them up as he apologizes. He starts to tell her that he thought he saw them back on the shelf which concerns Sarah as one of the side effects of his new treatment is hallucinations and if Matt begins to see things he will be dropped from the trial.
Matt angrily denies seeing things and admits he is just tired and set the plates too close to the edge of the table. Later, Sarah is helping Matt into the house, as he is very week from another round of treatments. She helps him lean against one of the pillars on the porch while she runs back to the car for her purse. He puts his hand on the pillar to steady himself and stares in shock as his hand sinks into it revealing it is full of rotting meat. He calls for his mother and then backtracks when the vision ends.
That night he again has visions of the young man watching an older, bearded man carve symbols into the flesh of corpses. He sits up, his eyes still closed and the door clicks open as he walks into the previously inaccessible room. The next morning his brother Billy (Ty Wood) comes downstairs and is awestruck by the room that was the morgue of the former funeral home. He examines all of the tools that are still left in the room and jumps on the embalming table when Matt says he will give him a ride.
Billy lies down and Matt begins to spin the table faster and faster. Matt continues to see flashes of images including a quick flash of a man loading sandbags into an empty coffin. As he sees these visions he keeps spinning the table as his brother begins to cry out to him to stop. Peter comes in asking what all the commotion is and joking that they were able to get in because he loosened the knob. When he sees all of the tools he is taken aback and later takes Sarah out into the backyard and demands to know when she knew about the house's history.
She hesitates, and then admits she's known for a while but wanted to take the house, as it is perfect for them. He says that he's surprised she hid the truth since she is the one who always said that there can't be lies in a marriage. She replies that that only applied to him when he was lying and drinking. Hinting that there had previously been trouble in their marriage due to Peter's drinking problem. That night at dinner, Peter is telling the rest of the family about the house, but states that it doesn't matter, as the house is theirs now.
He asks if Matt wants to say Grace and the family joins hands and Matt becomes lost in another vision of a group of people (Blake Taylor, Keith James, Kelly Wolfman & Jessica Burleson) having a s�ance with the young man he has seen previously who is called Jonah (Erik J. Berg). He comes out of it to find the rest of the family staring at him in fear.
Later he is talking with Wendy and they are reminiscing about a book they used to read as children with the poems The Man Who Wasn't There and Two Dead Boys Wendy says that he's scaring her and he tells her to join the club. The next day Matt is again at the hospital watching TV in a room with other patients when he hears a sound and looks in horror as he sees crabs crawling on the floor and on his legs and arm.
He comes out of it as a nurse (Adriana O'Neil) is drawing blood from his arm and he has a conversation with another patient, Reverend Nicholas Popescu (Elias Koteas). Matt confesses that he's been seeing things and Nicholas cautions him to not mention it to the doctors as they wouldnt understand and tells him that his wife also saw thing on her deathbed and the two of them are now seeing things as they are near to death. Nicholas gives Matt his card and tells him to call him if he needs to talk.
That night the family is in their respective rooms and Wendy is painting her nails and listening to the youngest cousin, Mary, talk to herself as she is playing with her dolls. The lights flicker and then die and Mary loudly asks for the lights to be turned back on and they do, but behind her you can see a withered hand with the symbols carved into them. The next day Matt is playing hide and seek with his brother and cousin and as they hide he looks for them upstairs. He is looking in Wendy's room when he is startled by a figure moving past him into the room.
He is having another vision of Jonah who is franticly putting his belongings into a bag as a voice loudly calls his name. Matt follows Jonah as he runs down stairs and sees another figure grab Jonah and pull him into the basement. He follows and enters the morgue and jumps as the door shuts behind him and he is unable to open it. The room is no longer empty as every surface seems to have a shrouded body on it. As Matt stares at them he is shocked when one of the corpses feet twitches and he begins to shout for Wendy.
He panics as the shrouds fall away and the withered corpses surround him, he pushes one away only to realize that he has instead shoved his little brother and again his family is frightened by his behavior. Matt calls Nicholas and tells him about what he's been seeing and Nicholas advises him to find out what the spirit wants from him. Later, Matt is in his room and painfully lowers himself to the floor and hooks his feet under his bed and begins to gingerly do sit ups.
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