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DALLAS: Alien life form . . . it looks like it's been dead a long time . . . fossilized. It looks likes it's grown out of the chair.


DALLAS: The bones are bent outward . . . like he exploded from inside.


LAMBERT: I wonder what happen to the rest of the crew? . . . . Let's get the hell out of here.


KANE: Hey Dallas, Lambert, come on over here. Come on.


DALLAS: What do you got?

KANE: See what you make of this.


INT. BRIDGE: Ripley is running the transmission through ECIU. She studies a long series of binary programs. Gets a readout. Looks worried. Speaks into communicator.

RIPLEY: Ash, that transmission, Mother's deciphered part of it. It doesn't look like an S.O.S.

ASH: Well what is it then?


RIPLEY: Well, it looks like a warning. I'm going to go out after them.

ASH: What's the point? I mean, by the time it takes to get there, they will know if it's a warning or not, yes?

Ripley looks steadily at Ash on her monitor. His screen, not visible to her, shows blowup of helmeted, skeletal head. Not human.


INT. STRUCTURE OPENING: Dallas rigs a tripod over the opening in the floor. Unspools a couple of feet of wire. Kane attaches the end of it to his chest unit. Climbs over the lip and drops it into the hole. Now hanging by the wire... Head and shoulders out of the opening.


Kane activates the climbing unit. Lowers himself into the fissure. He braces his feet against the wall of the vertical shaft. Switches on his light, points it into the depths. The beam penetrates only thirty feet or so, then is lost in darkness.

DALLAS: You okay down there? . . . . Can you see anything?


Kane starts down, playing out the line. Descending in short leaps. Stops to catch his breath. Breathing rasping loudly in his helmet. A little sunlight filters from above. Looking up, Kane can see the mouth of the hole... A glowing spot of light.

KANE: I don't know . . . a cave . . . a God damn cave of some sort. . . . It's like the God damn tropics in here.


He kicks off and continues down. Taking longer and longer hops as he gains confidence. Pausing for a moment to regain his breath, he shines the light on his instruments. Kane resumes his downward climb. Now Kane is dangling free in darkness. Spinning slowly on the wire as the chest unit unwinds.

KANE (whispers): What the hell is this?


Suddenly, his feet lose their purchase as the walls of the shaft disappear. The tunnel has reached its end. Below him is a dark, cavernous space. Deep breaths due to his violent exertion. He consults his instruments. Helmet instrumentation strobing softly in the darkness. Still puffing, he releases his purchase on the stone walls. Begins to lower himself on power. Then his feet hit bottom. Kane grunts in surprise, almost loses his balance. He flashes his suit lights.


The beams reveal that he is in a large hold. Row after row of extrusions stretch from floor to ceiling. Kane walks across the chamber. Examines the organic protrusions. Kane approaches the center of the room. On the floor are rows of leathery ovoid shapes.

KANE: The area is completely enclosed . . . and it's full of leathery objects, like eggs or something.


Kane walks around them. Shines his light on one.


KANE: There's a layer of mist just covering the eggs that reacts when broken.


Kane slips and falls in the recessed area where the eggs are.

DALLAS: Kane, you all right?

KANE: I'm okay, all right. . . I'm okay, I just slipped.


Kane peers closely at the leathery ovoids. Turns away. Raised areas begin to appear where he touched it. He moves his light along the rows.


Kane turns back to the one he was examining.


KANE: It seems to be completely sealed.






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