In this section, we highlighted reviews along with awards won and nominations for Avatar |
T-Meter Critics:
Avg. Rating:
Reviews Counted:
Fresh:
Rotten:
|
82%
7.4/10
260
213
47
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EmpireOnline.com | 10 |
Filmstalker.co.uk | 10 |
Maxim.co.uk | 10 |
Sun Times.com (Roger Ebert) | 10 |
TotalFilm.com | 10 |
RollingStone.com | 09 |
CinemaSpy.com | 09 |
ComingSoon.net | 09 |
IGN.com | 09 |
EdmontonSun.com | 08 |
Hollywood.com | 08 |
RealMovieNews.com | 08 |
SlashFilm.com | 08 |
TimesOnline | 08 |
TheIndependent | 08 |
BoxOffice.com | 07 |
Tikitula.com | 07 |
DenofGeek.com | 06 |
Guardian.co.uk | 04 |
WeAreMovieGeeks.com's
Top Ten Movies of 2009
Avatar ranked #6
Excerpt: wearemoviegeeks.com
It may have been impossible for James Cameron�s massively expensive epic to live up to the ridiculous hype, but it came pretty close. Featuring some of the best CG work in cinema to date and an incredible 3D experience, Avatar manages to be greatly entertaining for its 2.5 hour runtime.
Now let�s just hope the sequel doesn�t take another 12 years. Click on the source link for their complete top ten list.
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Flixster Users Pick 'Avatar' as 2009's Best
Audiences are responding in a big way
to the 20th Century Fox release
By BoxOffice Staff | Excerpt: boxoffice.com
James Cameron's sci-fi extravaganza boasts an incredible 92 percent approval rating on Flixster, which puts it slightly ahead of Star Trek's 91 percent. The Web site tallied over 55 million user ratings for 2009 releases. �It may be true that you can�t please everybody, but Avatar comes about as close as you can get,� says Steve Polsky, president and COO of Flixster.
The top 10 list:
1. Avatar (92% positive)
2. Star Trek (91%)
3. The Blind Side (90%)
4. Up in the Air (88%)
5. Inglourious Basterds (87%)
6. The Hangover (87%)
7. Zombieland (87%)
8. UP (86%)
9. Michael Jackson�s This Is It (85%)
10. Taken and Tyler Perry's I Can Do Bad All By Myself (tie, 83%)
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| Award category
| Recipients and nominees
| Result
| Academy Awards | Best Picture | James Cameron, Jon Landau | Nominated | Best Director | James Cameron | Nominated | Best Art Direction | Rick Carter and Robert Stromberg.; Kim Sinclair. | Won | Best Achievement in Cinematography | Mauro Fiore | Won | Best Film Editing | Stephen Rivkin, John Refoua, James Cameron | Nominated | Best Original Score | James Horner | Nominated | Best Sound Editing | Christopher Boyes and Gwendolyn Yates Whittle | Nominated | Best Sound | Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson | Nominated | Best Visual Effects | Joe Letteri, Stephen Rosenbaum, R. Baneham and A. Jones | Won | Academy of Science Fiction Fantasy & Horror Saturn Awards | Best Fantasy Film | James Cameron, Jon Landau | Won | Best Director | James Cameron | Won | Best Writing | James Cameron | Won | Best Actor | Sam Worthington | Won | Best Actress | Zoe Saldana | Won | Best Supporting Actor | Stephen Lang | Won | Best Supporting Actress | Sigourney Weaver | Won | Best Music | James Horner | Won | Best Special Effects | Joe Letteri, Stephen Rosenbaum, R. Baneham, A. Jones | Won | Best Production Design | Rick Carter, Robert Stromberg | Won | American Cinema Editors - Eddie Award | Best Edited Film | James Cameron, John Refua and Stephen Rivkin | Nominated | American Society of Cinematographers | Outstanding Achievement | Mauro Fiore | Nominated | Art Directors Guild | Production Design | Rick Carter and Robert Stromberg | Won | Austin Film Critics Association | Top 10 Films | James Cameron and Jon Landau | Won | Broadcast Film Critics Critic's Choice Awards | Best Action Film | James Cameron and Jon Landau | Won | Best Art Direction | Rick Carter and Robert Stromberg | Won | Best Cinematography | Mauro Fiore | Won | Best Director | James Cameron | Nominated | Best Editing | James Cameron, John Refoua and Stephen E. Rivkin | Won | Best Film | James Cameron and Jon Landau | Nominated | Best Makeup | Avatar | Nominated | Best Sound | C. Boyes, G. Summers, A. Nelson, T. Johnson and A. Teague | Won | Best Visual Effects | Joe Letteri, Stephen Rosenbaum, R. Baneham and A. Jones | Won | British Academy of Film and Television Arts | Best Film | James Cameron, Jon Landau | Nominated | Director | James Cameron | Nominated | Music | James Horner | Nominated | Cinematography | Mauro Fiore | Nominated | Editing | Stephen Rivkin, John Refoua, James Cameron | Nominated | Production Design | Rick Carter, Robert Stromberg, Kim Sinclair | Won | Sound | C. Boyes, G. Summers, A. Nelson, T. Johnson, A. Teague | Nominated | Special Visual Effects | Joe Letteri, Stephen Rosenbaum, Richard Baneham, A. Jones | Won | Black Reel Awards | Best Supporting Actress | Zoe Saldana | Nominated | Chicago Film Critics Association | Best Cinematography | Mauro Fiore | Nominated | Best Original Score | James Horner | Nominated | Cinema Audio Society Awards | Outstanding Achievement in Sound Mixing | Tony Johnson, Chris Boyes, Gary Summers and Andy Nelson | Nominated | Costume Designers Guild Awards | Excellence in Fantasy | Mayes C. Rubeo and Deborah Lynn Scott | Nominated | Dallas-Fort Worth Film Critics Association | Top 10 Films | James Cameron and Jon Landau | Won | Directors Guild of America | Outstanding Directing | James Cameron | Nominated | Florida Film Critics Circle | Best Cinematography | Mauro Fiore | Won | Golden Globe Awards | Best Director | James Cameron | Won | Best Film � Drama | | Won | Best Original Score | James Horner | Nominated | Best Original Song | Simon Franglen, Kuk Harrell and James Horner | Nominated | Golden Reel Awards - Best Sound Editing | Music | Jim Henrikson, Dick Bernstein, Michael Bauer | Won | Dialogue and ADR | G. Whittle, K. Foscato, C. Nardi, M. Winn, P. Bach & others | Nominated | Effects and Foley | A. Teague, C. Boyes, L. Glelmuda, J. Likowski & others | Won | Houston Film Critics Society | Best Picture | James Cameron and Jon Landau | Nominated | Best Director | James Cameron | Nominated | Best Cinematography | Mauro Fiore and Vince Pace | Nominated | Best Original Score | James Horner | Nominated | Hugo Awards | Best Dramatic Presentation | James Cameron | Nominated | Las Vegas Film Critics Society - Sierra Award | Best Art Direction | Rick Carter and Robert Stromberg | Won | London Film Critics' Circle | Director of the Year | James Cameron | Nominated | Film of the Year | James Cameron and Jon Landau | Nominated | MTV Movie Awards | Best Movie | Avatar | Nominated | Best Male Performance | Sam Worthington | Nominated | Best Female Performance | Zoe Saldana | Nominated | Best Villain | Stephen Lang | Nominated | Best Fight | Sam Worthington vs. Stephen Lang | Nominated | Best Kiss | Zoe Saldana and Sam Worthington | Nominated | NAACP Image Awards | Best Supporting Actress | Zoe Saldana | Nominated | National Society of Film Critics | Best Production Design | Rick Carter and Robert Stromberg | Nominated | New York Online Film Critics | Best Film | James Cameron and Jon Landau | Won | Top 11 Films | James Cameron and Jon Landau | Won | Oklahoma Film Critics Circle | Best Ten Films | James Cameron and Jon Landau | Won | Online Film Critics Society | Best Cinematography | Mauro Fiore | Nominated | Best Director | James Cameron | Nominated | Best Editing | James Cameron, John Refoua and Stephen E. Rivkin | Nominated |
PETA's Proggy award |
Outstanding Feature Film | James Cameron | Won |
Phoenix Film Critics Society |
Best Cinematography | Mauro Fiore | Won |
Best Film Editing | James Cameron, John Refoua and Stephen E. Rivkin | Won |
Best Production Design | Rick Carter and Robert Stromberg | Won |
Best Visual Effects | Joe Letteri, S. Rosenbaum, R. Baneham and A. Jones | Won |
Producers Guild of America |
Producer of the Year | James Cameron and Jon Landau | Nominated |
San Diego Film Critics Society |
Best Director | James Cameron | Nominated |
Best Production Design | Rick Carter and Robert Stromberg | Nominated |
Santa Barbara International Film Festival |
Modern Master Award | James Cameron | Won |
Best Visual Effects | Joe Letteri, S. Rosenbaum, R. Baneham and A. Jones | Won |
Most Creative Film | James Cameron and Jon Landau | Won |
Visual Effects Society Awards |
Best Visual Effects | Richard Baneham, Joyce Cox, Joe Letteri, & Eileen Moran | Won |
Best Single Visual Effect - Quaritch's Escape | Jill Brooks, John Knoll, Frank L. Petterson, & T.Mercer | Nominated |
Best Single Visual Effect - Neytiri Drinking | Thelvin Cabezas, Joyce Cox, Joe Letteri, & Eileen Moran | Won |
Best Animated Character | Andrew R. Jones, Joe Letteri, Zoe Saldana, & Jeff Unay | Won |
Best Matte Paintings | J. Azzis, P. Baustaedter, B. Cottman, & Y. Muinde | Won |
Best Models and Miniatures | S. Cheung, P. Jenness, J. Stevenson-Galvin, & R. Zoettl | Won |
Best Created Environment - Floating Mountains | Dan Lemmon, VKeith F. Miller, & Cameron Smith | Nominated |
Best Created Environment - Jungle / Biolume | S. Almassizadeh, J. Cowley, D. Cox, Rademeyer, & Saindon | Won |
Best Created Environment - Willow Glade | Thelvin Cabezas, Miae Kang, Daniel Macarin, & Guy Williams | Nominated |
Best Compositing | E. Eder, R. Hollander, G. Tagliavini, & E. Winquist | Nominated |
Best Compositing - End Battle | Jay Cooper, Beth D'Amato, Eddie Pasquarello, & Todd Vaziri | Nominated |
Lifetime Achievement | James Cameron | Won |
Writers Guild of America |
Best Original Screenplay | James Cameron | Nominated |
AMZ POLL (closed):
"Rate Avatar the Movie on a scale of 1 (worst) to 10 (best)" | Total Votes: 1,635 | Rating | Votes | Prcntg. | 10 9 8 7 | 1,405 143 46 17 | 85.9% 8.7% 2.8% 1.0% | The remaining 1.4% rated it 6 or less. |
Empire Rates Avatar 5 out of 5 Stars By Chris Hewitt | Excerpt: empireonline.com
Avatar is unequivocally, completely, 100% the film that has been percolating in James Cameron�s head for the last fourteen years. It is not, in all probability, the film that you had in yours when you first heard that the man who directed Aliens and The Terminator was returning to sci-fi with a movie so ambitious that he had to build the technology to make it happen.
If you can let go of your version and embrace Cameron�s � if you�re not, in other words, one of those splenetic internet fanboy types who�ve apparently made their minds up about Avatar before seeing it � then Avatar is a hugely rewarding experience: rich, soulful and exciting in the way that only comes from seeing a master artist at work. |
ComingSoon.net Rates Avatar 9 out of 10! By Scott Chitwood | Excerpt: comingsoon.net
What Worked:
First and foremost, the world of Pandora is absolutely amazing. Every plant, animal, and environment is incredibly imaginative. James Cameron takes the familiar and puts a new spin on it to create an incredible, yet entirely realistic feeling world.
What Didn't Work:
As far as what didn't work goes, an easy thing to point at is the overall story. This is, essentially, "Dances with Wolves" set on an alien planet. But you know what? This is a story that has been told many, many times. Look at anything from "A Man Called Horse" to the biblical story of Moses. The story of men identifying with another people and aiding them in a fight for survival is thousands of years old. |
FirstShowing.net Avatar Review 'Avatar is Truly Indistinguishable from Magic' By Brandon Lee Tenney | Excerpt: firstshowing.net
"They don't make movies like this anymore." A friend of mine said that to me before the lights dimmed, before the reason we were all there in that theatre began. After Avatar arrives in theaters, quotes like the one above take on new significance.
No longer can those words be said for the sole sake of irony. Or in jest. They may not make movies like this, like Avatar, often enough, but because of James Cameron � because of the ten or so years he built Avatar with, because of his many, many years of experience he used as its foundation � they do, indeed, make movies like this. And its title is Avatar. A film whose vision was so grand upon conception, an undertaking so massive, that to wait was the only option. |
Rolling Stone Avatar Review: 3.5 out of 4 Stars By Peter Travers | Excerpt: rollingstone.com (Direct link no longer available)
Oscar can relax. The epic crowd-pleaser the Academy lusted for is here, the one to show that the geezer voters are hip to what the kids want (3-D IMAX) and what the industry needs (the kind of wowser you'll pay to see on a big screen).
James Cameron's tone-deaf but thunderously exciting Avatar, costing a record $300 million, is just the thing to pump box-office blood into Oscar's idiotically expanded Best Picture category (10 nominees instead of the usual five). Nevermind my preference for the life-sized likes of Precious, The Hurt Locker, Up in the Air and An Education. They look puny next to the computerized giants at play in the fields of Lord Cameron. |
Roger Ebert Rates Avatar 4 out of 4! By Roger Ebert | Excerpt: rogerebert.com.
Watching "Avatar," I felt sort of the same as when I saw "Star Wars" in 1977. That was another movie I walked into with uncertain expectations. James Cameron's film has been the subject of relentlessly dubious advance buzz, just as his "Titanic" was.
Once again, he has silenced the doubters by simply delivering an extraordinary film. There is still at least one man in Hollywood who knows how to spend $250 million, or was it $300 million, wisely.
"Avatar" is not simply a sensational entertainment, although it is that. It's a technical breakthrough. It has a flat-out Green and anti-war message. It is predestined to launch a cult. It contains such visual detailing that it would reward repeating viewings. |
THR Avatar Review
Bottom Line: A titanic entertainment
-- movie magic is back!
By Kirk Honeycutt | Excerpt: hollywoodreporter.com
A dozen years later, James Cameron has proven his point: He is king of the world. As commander-in-chief of an army of visual-effects technicians, creature designers, motion-capture mavens, stunt performers, dancers, actors and music and sound magicians, he brings science-fiction movies into the 21st century with the jaw-dropping wonder that is "Avatar." And he did it almost from scratch.
After writing this story many years ago, he discovered that the technology he needed to make it happen did not exist. So, he went out and created it in collaboration with the best effects minds in the business. This is motion capture brought to a new high where every detail of the actors' performances gets preserved in the final CG character as they appear on the screen.
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Corliss Appraises Avatar: Cameron's World of Wonder By Richard Corliss | Excerpt: time.com
The planet Pandora that Cameron and his army of artist-technicians have created � at a budget believed to be in excess of $300 million � is a wonder world of flora and fauna: a rainforest (where it never rains) of gigantic trees and phosphorescent plants.
Living among these creatures is Pandora's humanish tribe, the Na'vi: a lean, 10-ft.-tall, blue-striped people with green eyes, or what mankind might have been if it had evolved in harmony with, not opposition to, the edenic environment that gave rise to its birth. For me to say that Avatar is better than Titanic is not the highest possible praise. I was no ardent fan of Cameron's grafting of a poor-boy/rich-girl love story tacked onto the true saga of that doomed ship which set sail from Southampton back in 1912. |
Review from Variety By Todd McCarthy | Excerpt: variety.com
The King of the World sets his sights on creating another world entirely in "Avatar," and it's very much a place worth visiting.
The most expensive and technically ambitious film ever made, James Cameron's long-gestating epic pitting Earthly despoilers against a forest-dwelling alien race delivers breathtaking sights, narrative excitement and an overarching anti-imperialist, back-to-nature theme that will play very well around the world, and yet is rather ironic coming from such a technology-driven picture.
Twelve years after "Titanic," which still stands as the all-time B.O. champ, Cameron delivers again with a film of universal appeal that just about everyone who ever goes to the movies will need to see. |
MTV's Top Nine Movie Moments Of 2009 An Avatar movie moment makes their list. Which one? By Josh Wigler | Excerpt: mtv.com
Even as moviegoers look ahead towards 2010, it cannot be denied that 2009 was a banner year for blockbuster cinema. Hot off the heels of the domestic box office's single most lucrative weekend ever, there is no question that both Hollywood and the indie scene alike had their best game-faces on this year, resulting in a science-fiction renaissance through the likes of "District 9" as well as more intimate (though no less dangerous) affairs as seen in "The Hurt Locker."
Avatar
Jake's free sprint from the medical lab to the open fields of Pandora wasn't just his cathartic return to upward mobility � it was also Cameron's way of telling the naysayers, "I told you so." |
Top Ten Movies of 2009 Avatar: "More than anyone ever believed it would be" By Tony Daniel | Excerpt: times-herald.com
Newnan's Tony Daniel, a movie enthusiast and actor who has appeared in performances with Newnan Community Theatre Company, shares his Top Ten Movies of 2009. "There is no way to put these in any numerical order, from the greatest to the near great. These are offered, therefore, as the ten I would stash away as the perfect examples of filmmaking to show the distinctive force behind this year's box office totals," Daniel said.
There is going to be a day when I finally stop questioning James Cameron's ability. Every time I see one of his films, I think to myself, "Well, that's the top of the mark. He'll never top that." And every time, I am wrong. Much has been made of the idea that Avatar's plot is a spin on every Western that dared to suggest that the "Indians" might have had a legitimate gripe with the "white man." |
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